PAUL PFEIFFER

 

Born in Honolulu, Hawaii in 1966.

Lives and works in New York City.

 

 

Education

 

1997-98            Whitney Museum of American Art Independent Study Program

1994                 MFA, Hunter College, New York City

1987                 BFA, San Francisco Art Institute

 

 

Awards and Scholarships

 

2003                 Artpace Residency, San Antonio, TX

2001-2              MIT List Visual Arts Center Residency

2000                 The Bucksbaum Award, The Whitney Museum, New York, NY

2000                 Travel Grant, Asian Cultural Council

1999-2000                  The Public Art Fund

1999                 World Trade Center Residency, Lower Manhattan Cultural Council, NY

1994-95            Fulbright-Hayes Fellowship to the Philippines

1994                 Project Grant, Art Matters

1993                 Travel Grant Pilot, National Endowment for the Arts and Arts International.

1984-94            Artist Delelopment Grant, Barbara Smith Artists Trust

 

 

Solo Exhibitions & Projects

 

2008                 Thomas Dane Gallery, London, United Kingdom

                        Carlier l Gebauer, Germany

 

2007                 Live from Neverland, The Project, New York, NY

                        The Saints, ArtAngel, London, United Kingdom

                       

2006                 Paul Pfeiffer, MC Kunst, Los Angeles

 

2005                 Pirate Jenny, Carlier l Gebauer, Berlin, Germany

                        Museum of Art, Middlebury College, Middlebury, VT

 

2004                 Pirate Jenny, The Project, New York, NY 

                        Pirate Jenny, Gagosian Gallery, New York, NY

Thomas Dane Limited, London, United Kingdom

K 21 Kunstsammlung, Dusseldorf, Germany

                        Melina Mercouri Center, Athens, Greece

 

2003                 The Contemporary Museum, Honolulu, HI

                        Morning After the Deluge, Carlier l Gebauer, Berlin, Germany

                        Museum of Contemporary Art, Chicago, IL

                        List Visual Art Centre, MIT, Cambridge, MA, catalogue. (traveling)

                        Gio Marconi, Milan, Italy

 

2001                 Sex Machine, The Project, Los Angeles, CA

Orpheus Descending, Public Art Fund, World Trade & Financial Centers, New York, NY

                        Kunsthaus Glarus, Glarus, Switzerland

                        Barbican Art Centre, London, UK

                        UCLA Hammer, Los Angeles, CA

                        Whitney Museum of American Art, New York, NY

 

2000                                  The Project, New York, NY

Kunst-Werke, Berlin, Germany

                        Duke University Museum of Art, Raleigh-Durham, NC (with Romuald Hazoumé)

 

1998                 The Pure Products Go Crazy, The Project, New York, NY

 

1997                 The Pure Products Go Crazy, Cendrillon, New York, NY

 

1994                 Santo Niño Incarnate, Colonial House Inn, New York, NY

 

1993                 Survival of the Innocents, Art In General, New York, NY (window installation)

 

 

Group Exhibitions

 

2008                 Biennale of Sydney, Australia

                        San Francisco Museum of Modern Art, San Francisco, CA

 

2007  Automatic Update, Museum of Modern Art, New York, NY
         For the Love of the Game, Wadsworth Atheneum Museum of Art, Hartford,          CT
         Art in America: Now, Shanghai Museum of Contemporary Art and the      Shanghai Museum, Shanghai, China

                        The Shapes of Space, Guggenheim Museum, New York, NY

               Julia Stoschek Collection, Düsseldorf, Germany

 

2006                      Visions du Déluge, Le Musee cantonal des Beaux-Arts de Lausanne Palais de Rumine, Lausanne, Switzerland

                        Meditations in an Emergency, Museum of Contemporary Art Detroit, Detroit,      MI

                        The Gold Standard, P.S.1 Contemporary Art Center, New York, NY

                        Fantastic Frameworks, Art Gallery of Greater Victoria, British Columbia, Canada

                        Choosing My Religion, Kunstmuseum Thun, Thun, Switzerland

                        Full House: Views of the Whitney’s Collection at 75, The Whitney Museum of American Art, New York, NY

                        The Skowhegan School of Painting and Sculpture: 60 Years, Colby College, Waterville, ME

            Strange Powers, Creative Time, New York, NY

                        Time Frame, P.S.1 Contemporary Art Center, New York, NY

IAMNOWHERE, Center for Curatorial Studies Museum at Bard College, curated by Erica Hope Fisher

                        You Never Walk Alone: Football and Fan Culture, The O.K. Center for Contemporary Art Linz, Austria

                        Work Zones: Three Decades of Contemporary Art from SFAI, San Francisco Art Institute, San Francisco, CA

                        Home Productions, Singapore Art Museum, Republic of Singapore

                        Filipiniana, Centro Cultural Conde Duque, Madrid, Spain

 

2005                 Superstars, Kunstalle Wien, Vienna

                        Swarm, The Fabric Workshop and Museum, Philadelphia, PA

Rundlederwelten, Martin-Gropius-Bau, Berlin, Germany

Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal, Center for Art and Visual Culture, UMBC, Baltimore, MD

                        Girls on Film, Zwirner & Wirth, New York, NY

                        marking time: moving images, Miami Art Museum, Miami, FL

                        Logical Conclusion, PaceWildenstein, New York, NY

                        Getting Emotional, ICA, Boston, MA

                        Faces in the Crowd - Picturing Modern Life from Manet to Today, Castello Rivoli, Turin, Italy

                        Log Cabin, Artist Space, New York, NY

Faces in the Crowd - Picturing Modern Life from Manet to Today, Whitechapel Art Gallery, London, United Kingdom

 

2004                 CUT: Film as Found Object in Contemporary Video, North Miami Museum of Contemporary Art, Miami, FL

Contested Fields: Identity in Sports and Spectacle, Des Moines Art Center, Des Moines, IA

Modern Means: Continuity and Change in Art, 1880 to the Present, Mori Art Museum, Tokyo, Japan

                        Eclipse: Towards the edge of the visible, White Cube, London, United Kingdom

                        Phantasmagoria, Butler Museum of American Arts Beecher Center of Art and Technology, Youngstown, OH

                        Size Matters, Independent Curators International, New York, NY

                        10 Commandments, Hygiene Museum, Dresden, Germany

                       

2003                 Honolulu to New York, The Contemporary Museum at First Hawaiian Center Honolulu, HI Cairo Biennial 2003, The Palace of Fine Art, Cairo, Egypt

                        Postproduction from Collage to Sampling, Dundee Contemporary Arts, Scotland, Ireland

                        100 Artists See God, Independent Curators International, New York, NY   (touring USA)

                        Black Belt, The Studio Museum in Harlem, New York, NY

Fast Forward – Media Art, Sammlung Goetz ZKM Center for Art and Media, Karlsruhe, Germany

                        Nuit Blanche Museum of Contemporary Art of the City of Paris, Paris, France

                        A Simple Plan, James Cohan Gallery, New York, NY

                        Uneasy Space, SITE Santa Fe, Santa Fe, NM

The Squared Circle: Boxing in Contemporary Art,  Walker Art Center, Minneapolis, MN

                        The Moderns, Castello di Rivoli, Torino, Italy

                        Graz 2003 (As Heavy as the Heavens), Graz, Austria

                        Losing It, Fenton Gallery, Cork, Ireland

                        Social Strategies: Redefining Social Realism, University of California, LA,          CA

                        American Dream, Ronald Feldman Gallery, New York, NY

                       

2002  Out of Place, Museum of Contemporary Art, Chicago, IL

                     Pictures, Greene Naftali, New York, NY

                     Model World, The Aldrich Contemporary Art Museum, Ridgefield, CT

                     The Beach, Winsor on Vero Beach, Florida

                     Tempo, Museum of Modern Art , New York, NY

                     Busan Biennale, Busan, Korea

                     K21, Dusseldorf, Germany

                     Special Effects (2002 Media Art), Daejeon Municipal Museum of Art, Korea

                     One Hand Clapping, Smackmelon, Brooklyn, NY

                     NYC, Sex Museum of Sex, New York, NY

                     Miami Currents: Linking Collection & Community, Miami Art Museum,      Miami, FL

                     Interplay, The Moore Building, Miami, FL (travelling to Puerto Rico 2003)

 

2001                 49th Venice Biennale, Venice, Italy

Bitstreams, The Whitney Museum, New York, NY

Gio Marconi, Milan, Italy

Maze Gallery, Torino, Italy
Sala Uno, Rome, Italy
Casino 2001, SMAK, Gent, Belgium

Zero Gravity, Rome, Italy

            The Americans, Barbican Arts Centre, London, UK

            Subject Plural, Museum of Contemporary Art, Houston, Texas

            Refresh, Cantor Centre for the Visual Arts

            Gagosian Gallery, New York, NY

            Silliman University, Philippines

            Passion, Ascan Crone, Hamburg, Germany

            Hypermental, Kunsthaus Zurich, Hamburger Kunsthalle

            Race in Digital Space, MIT List Visual Art Center, MIT, Cambridge, MA

Loop, Kunsthalle der Hypo-kultursiftung, Munich & Germany & touring to PS1, New York, NY

Metropolis 2002, Istanbul, Turkey

            MIT List Visual Arts Center, MIT, Cambridge, MA

            False Start, Center for Curatorial Studies, Bard College, Annandale-on-Hudson,     NY       

            Cheekwood, Nashville, Tennessee

           

2000                 The Whitney Biennial, The Whitney Museum, New York, NY

Greater New York, P.S.1 Contemporary Art Center, New York, NY

Hypermental, Kunsthaus, Zurich, Switzerland (traveling)

City Visions, media city_seoul 2000, Seoul, Korea

                        Extraordinary Realities, Columbus Museum of Art, Columbus, OH

                        Scanner, Oliver Art Center, California College of Art & Culture, Oakland, CA

 

1999                 Tete de Turkois, The Project, New York, NY

                        Surface Tension, Art in General, New York, NY

                        A Place Called Lovely, Greene Naftali, New York, NY

                        Hocus Focus: New Video, Rare Gallery, New York, NY

 

1998                 warming, The Project, New York, NY

At Home and Abroad: 21 Contemporary Filipino Artists, Asian Art Museum, San Francisco, CA (traveling)

 

1997                 Memories of Over-development: Philippine Diaspora in Contemporary Art, Plug In Gallery, Winnipeg, Canada

Travel Size, City College, New York, NY

Fermented, Parsons School of Design, New York, NY

 

1996                 Memories of Overdevelopment: Philippine Diaspora in Contemporary Art, UC Irvine Art Gallery, CA

Neighbors, Boom Gallery, Honolulu, HI

 

1995                 In a Different Light, UC Berkeley Museum, Berkeley, CA(catalogue)

Pervert, UC Irvine Art Gallery, CA(catalogue)

14 Artist: Sugod sa Katapusan, End House Art Center, Dumaguete City, Philippines

 

1994                 Extreme Unction Market Gallery, London, England: Curated by Shaheen Merali/Panchayat

Reframing a Heritage, University Of Hawaii, Manoa, Hawaii

Stonewalls, 494 Gallery, New York, NY

Picturing Asia America: Communities, Cultures, Difference, Houston Center for Photography, Houston, TX

Kayumanggi Presence, Skyline College, San Francisco, CA

 

1993                 DisMantling Invisibility, A Space, Toronto, Canada:

The Curio Shop; collaborative installation by Godzilla: Asian American Artists Network Artists Space, New York, NY (catalogue)

Kayumanggi Presence, Academy of Art, Honolulu, HI

 

1992                 Altars, Divinations and Icons, Painted Bride Art Center, Philadelphia, PA

                        Altars, Divinations and Icons, (catalogue) Guadalupe Cultural Center, San Antonio, TX (catalogue)

(en)Gendered Visions: Race, Gender and Sexuality in Asian American Art Injustice, Guadalupe Cultural Center, San Antonio, TX (catalogue)

Made in America: Remembering Vincent Chin, Art In General, New York,          NY

1955-1982; window installation

Day Without Art, Lehman College Art Gallery, New York, NY; slide installation organized by Visual Aids and the Asian and Pacific Islander Coalition on HIV/AIDS

 

1991                                  Dismantling Invisibility: Asian Americans Respond to the AIDS Crisis, Art In General, New York, NY

 

 

 

 

Publications

 

“Paul Pfeiffer”, K21, Berlin, Germany

 

“Paul Pfeiffer”, Museum of Contemporary Art, Chicago. 2003.  (ISBN: 0-933856-78-4).

 

“Quod Nomen Nihi Est: Fragments from a Conversation with Satan”, Felix: A
Journal of Media Arts and Communication, Vol. 2, no. 2 (1999).

“Where The Stains Begin”. Image/text collaboration with Laurence Chua forThe Passionate Camera: Photography and Bodies of Desire,. NY: Routledge, 1998.

 

Artist portfolio.  MUAE II: Collapsing  New Buildings.  NY: Kaya Production, 1997.

 

Bibliography of Artists Groups in the Visayas. 1995.  Unpublished research paper in the archives of the Visayan Island Visual Artists Exhibition and Conference, Philippines.

 

Bibliography of Asian American Artists.  1992. Unpublished research paper in the archives of the Asian American Studies Center, Queens College, NY.

 

“Our Lady of Perpetual Health”, Lavender Godzilla: Voices of Gay Asian & Pacific Islander Men (San Francisco, CA), Fall 1992.

 

“Out In the 90s”, Godzilla: The Magazine of the Asian American Artists Network, Vol. 2, no. 1 (Summer 1992).

 

“Is There An Asian American Aesthetic?”, Artspiral  (New York: Asian American Arts Center), Fall 1992.

 

 

 

Selected Bibliography

 

2007

Weintraub, Linda. “Paul Pfeiffer,” EnvironMentalities: Twenty-two Approaches to Eco-Art, 2007, p. 41-44

Morrison, Richard. “Fame Game”, The Times, October 6, 2007.

Camhi, Leslie. “Art: What People Are Talking About, ‘Live from London’ ”, Vogue USA, October 2007

Moore, Susan, “Collecting: ‘It’s Amazing what Adrenaline can do’ ”, Financial Times, September 29, 2007

“Paul Pfiffer”, Frieze Art Fair Year Book, October 2007 

Ward, Ossian, “Paul Pfeiffer *Critic’s Choice”, Time Out London, September 28, 2007.

“Erase Errata”, Modern Painters, September 2007, pg.34.

Art in America: Now, Museum of Contemporary Art, Shanghai, May-June 2007, pg.52-53.

Smith, Roberta. “Paul Pfeiffer: Live from Neverland”, New York Times, June 8, 2007.

“Paul Pfeiffer,” The New Yorker. June 11 -18, 2007, pg.24

Rosenberg, Karen. “Paul Pfeiffer: Live From Neverland,” nymag.com. May 28, 2007.

Bedford, Christopher. “Paul Pfeiffer,” Tema Celeste. May/ June 2007, pg.76-77

Hebron, Micol.  “Paul Pfeiffer MC Kunst,” Flash Art. p.126

Kertess, Klaus. “Meditations in an Emergency,” pp.52-57.

Galleries, ArtAsiaPacific, Almanac 2007, p.93.

Amos, Robert. “Thought-provoking show merits return visit”.

 

2006

Grison, Brian. “Fantastic Frameworks: Architectural Utopias + Designs for Life,” Focus. November 2006.

Cramm, Michael. 1x Art Now: Tear Off Calendar 2007, Taschen, Koln, August 2006.

Boukobza, Julie. “Paul Pfeiffer”, L’Officiel Hommes, Summer 2006, pp. 18, 19, 48-51.

Pollack, Barbara. “Spirited Away”, Time Out New York, July 20-26, 2006, issue 564, pp.24-25.

Scott, Andrea K. “Occluded Front”, Time Out New York, June 1-7, 2006, p.75.

Cruz, Joselina.“Where.”Home Productions, Singapore Art Museum, Singapore, April 2006.

Cope, Lily. “Throngs of Praise”, Blueprint, March 2006.

Lewison, Cedar. “A Perfect Match” Art Review, International Edition V4N2, February/March 2006, cover, pp. 58 -63

 

2005

“Paul Pfeiffer Shadows and Specters” The Blow Up, Issue No 3, Spring/Summer 2005, pp 22, 23

Dube, Ilene. “Bzzz”, Time Off, December 20, 2005

Auricchio, Laura. Art Papers, reviews, May/June 2005, pp.48-49

Smith, Roberta. “A Medium in the Making: Slicing Familiar Films Into Something New”, New York Times, July 29, 2005

Lee, Nathan. “Work in Progress”, Film Comment, March-April, 2005, p. 17

 

2004

Smith, Roberta. “Paul Pfeiffer ‘Pirate Jenny’”, New York Times, December 17, 2004.

Halle, Howard. “Light touch”, Time Out, December 2 – 8, 2004.

Coomer, Martin. “Paul Pfeiffer”, Time Out London, November 17 -24 2004.

Myers, Holly. “Human behavior on videotape”, The Los Angeles Times, November 5, 2004.

“Multimedia Paul Pfeiffer:Pirate Jenny”, Flavorpill, November 2004.

Hackworth, Nick. “Paul Pfeiffer” Dazed & Confused, October 2004.

Gleeson, David. “Crowd-pleaser”, Art Review, October 2004.

 “The Sun is God. Paul Pfeiffer on Joseph Mallord William Turner (1775-1851)”, Tate Etc., Autumn 2004, pp. 90-93.

Lorch, Catrin. “Paul Pfeiffer im K21”, Kunst-Bulletin, September 2004.

Panaghiotaku, Afrodite. “Paul Pfeiffer”, Highlights, July-August 2004, p. 64.

Müller, Hans-Joachim. “Nichts, nur Killerschleim”, Die Zeit, 1 July 2004, p. 39.

Maak, Niklas. “Lehben ohne Marilyn”, Frankfurter Allgemeine Zeitung, 26 June 2004, p.35.

“Kleinvieh macht Kunst”, NRZ, 12 June 2004, p. 3.

Meister, Helga. “Die Kunst der Leerstellen”, WZ Düsseldorfer Kultur, 12 June 2004, p. 17.

Sebastian, Klaus. “Duschkabine ohne Grusel”, Düsseldorfer Feuilleton, 12 June 2004, p. LF.

Wei, Lilly. “The Cairo Effect”, Art in America, May 2004, pp.67-73.

Joselit, David. “Apocalypse not”, Artforum, May 2004, pp.172-3.

Makai, Mauka. “Artist explores influence of technology”, 25 January 2004, p. G8.

Morse, Marcia. “Challenging Comforts”, Honolulu Weekly, 21-27 January 2004.

Gail-White, Victoria. “Pfeiffer's provocative images not meant to be pretty”, The Honolulu Advertiser, 18 January 2004.

 Mofokeng, Santu, Wulffen, Thomas. “Paul Pfeiffer”, Kunstforum, January-February 2004, p. 294.

Coxhe, Gabriel. “Paul Pfeiffer: The Morning after the Deluge”, Contemporary, November 2004, p. 71.

 

2003

Pahwa, Sonali. “Suggestions of the new”, Al-Ahram Weekly, 11-17 December 2003, p. 17.

Heuer, Megan. “Punchy Statements”, Art News, Summer 2003.

Sellnow, P Greg. “ut up your dukes and step into”, The Squared Circle, 26 July 2003.

Casciani, Stefano. “Are the moderns back ?”, Domus, June 2003.

Velez, Pedro. “Looking Good”, Artnet, June 12, 2003.

Pignatti, Lorenza. “The art of noise”, Kult, June 2003.

Gonzalez, Jennifer. “Paul Pfeiffer”, Bomb, Spring 2003.

Cherubini, Laura. “Perche' non possiamo non dirci moderni”, il Giornale, 5 May 2003.

Fanelli, Franco. Vernissage, April 2003.

Moliterni, Rocco. “Giubbotti e scarpe fatti d'arte”, La Stampa,15 April 2003.

Fanelli, Franco. “Moderni si', modaioli no: chi sono gli artisti della generazione post-Twin Towers”, Il giornale dell'arte, April 2003.

“Castello di Rivoli”, Tema Celeste, March/April 2003.

 McQuaid, Cate. “His photographic truth is the (un)real thing”, Boston Globe, February 23 2003.

Kennedy, Louise. “Visionary video artist is in the loop”, The Boston Globe, Friday, February 7th 2003 pp. C15, C19.

“ Sun’s gonna rise: Paul Pfeiffer at MIT, and more”, The Boston Phoenix, January 31st 2003.

Gonzalez, Jennifer. “Paul Pfeiffer”, BOMB, Spring 2003, No. 83 pp 22 – 29.

Spector, Nancy, Rondeau, James, Rush, Michael. “Imperfect Innocence (The Dennis and Debra Scholl Collection)”, Contemporary Museum, Maryland and Palm Beach Institute of Contemporary Art, 2003.

Menin, Samuel and Sansoni, Valentina, “Focus Video and Film,” Flash Art, January/February 2003.

 

2002

Lloyd, Wilson., Art & Architecture, “Art is a Necessity Amongst Techies, Too”, The New York Times, Sunday, December 15th 2002.

"Final exhibition in Center's Historic Fifth Street space", The Cincinnati Herald, Aug 31-Sept 6, 2002.

Wampler, Liberty. "Feeding into the Loop", City Beat (Cincinnati), Vol. 8, Issue 49, October 17-23, 2002.

Stein, Jerry. "Art experiments with manipulating time", The Cincinnati Post, Friday November 8, 2002.

Cotter, Holland. “Art in Review”, The New York Times, January 18th 2002.

Halle, Howard. “Prize Fighter”, Time Out,  January 2002.

“Second Sight”, (Selections of Artwork by Hunter College Alumni 1991-2001), Exhibition Catalogue, January 2002.

“K21”,  Exhibition Catalogue, Sammlung Ackermans Collection, 2002.

“Art Now”,  Uta Grosenick & Burkhard Riemschneider, Taschen 2002.

“Tempo”,  Paulo Herkenhoff, Roxana Marcoci, Miriam Basilio. Exhibition Catalogue, Museum of Modern Art, New York 2002.

“American Art From the Goetz Collection”,  Galerie Rudolfinum, Exhibition Catalogue, Prague 2001.

Melling, Frank. “Art at the Aldrich”, The News-Times Weekend, February 1st 2002.

Rosenblum, Robert. “The Beach”, Exhibition catalogue, Winsor on Vero Beach, FL, 2002.

Aquino, Belinda A. “A Filipino-American Winner”, January 02, 2002.

 

2001

Chua, Lawrence. “Blondage”, Jalouse, September 2001, p. 68.

Basilico, Stefano. “A Conversation With Paul Pfeiffer”, Documents, No. 21, Fall 2001/Winter 2002.

“Sport in der zeitgenossischen kunst”, Exhibition Catalogue, Kunsthalle Nurnberg, 2001.

“Paul Pfeiffer The Long Count”, Exhibition Catalogue, MIT LIST Visual Arts Center.

Als, Hilton. “Paul Pfeiffer”, Exhibition Catalogue, UCLA Hammer Museum.

Derwent, Charles. “The Americans. New Art”, The Independent Reviews.

Yablonsky, Linda. “Making Microart That Can Suggest Macrotruths”, The New York Times, Sunday, December 9th 2001.

Miles, Christopher. “Paul Pfeiffer”, Tema Celeste, Nov-Dec 2001.

Scott,  Andrea. “Bitstreams”, Frieze, September 2001.

Gopnik, Blake. “Whatever Floats Your Boat”, The Washington Post , June 10th, 2001.

“Lastbyte”, Artbyte,  May - June vol. 4, No 1, cover image and p. 96.

Saltz, Jerry. “Byte Lite”, Village Voice (Bitstreams).

Morsiani, Paola. “Subject Plural  Crowds in Contemporary Art”, Exhibition catalogue, Contemporary Arts Museum, Houston 2001.

Segal, Katie. “Mediarealities”, KW Magazine, Vol 02/01.

“Casino 2001”,  Exhibition catalogue, Stedjelijk Museum voor Actuele Kunst, Gent, Belgium.

“Hypermental”, Exhibition catalogue, Kunsthaus Zurich.

Art Journal,  College Arts Association, Fall issue.

McQuaid, Cate. “Film’s Intelligence Fits Museum”, Art Review, The Boston Globe, April 2001.

Sherman, Mary. Visual Arts, Boston Sunday Herald, May 6th  2001.

Pollack, Barbara. “Back to the Future With Bitstreams”, Art in America, September 2001.

Wilson, Michael. “The technology is already inside us”, Untitled, Spring 2001, p. 22-23.

Basilico, Stefano. “Just Another Day on the Farm”, Time Out,  June 7-14th, p. 58.

Knight, Christopher. “Voyeurism and Ghostly Visions From Paul Pfeiffer”, Los Angeles Times,  October 5th 2001.

Griffin, Tim. “Technical Knockout”, Reviews, Time Out, Issue 275, December 28th – Jan 4th 2001.

Kee, Joan.  “Processes of Erasure”, Art Asia Pacific,  Issue 32, Oct/Nov/Dec 2001.

“Orpheus Descending”,  Catalogue, Public Art Fund, New York.

Biesenbach, Klaus. “Loop – Alles auf Anfang”,  Exhibition catalogue, March 2001.

Pietromarchi, Bartolomeo, Tolomeo, Maria Grazia. “Gravita Zero”, Exhibition Catalogue.

Coxhead, Gabriel. “Exhibitions”, Contemporary Visual Arts,  Vol # 33.

“The Americans”, Exhibition Catalogue,  Barbican Art Center, London, October 2001.

Richard, Frances. “Paul Pfeiffer – The Project”, Reviews, Art Forum,  March 2001.

Pagel, David. “Paul Pfeiffer”, Reviews, ArtNews, October/November 2001.

Kimmelman, Michael. “Critics Notebook- The 49th Venice Biennale”, The New York Times, June 20, 2001.

 

2000

Pedersen, Victoria. “Gallery go 'round”, Paper Guide, November 2000, p. 132.

Sarkozy, Charlotte. “D' Honolulu a Harlem”, Jalouse, October 2000, p. 90.

Starker, Melissa. “Reality, what a concept”, Columbus Alive, 14 September 2000.

Gowans, Scott. “Extraordinary Realities”, The Advocate, September 2000, p. 272.

Piene, Chloe. “Paul Pfeiffer, Eating and Excreting”, Flash Art, October 2000.

Mayr, Bill. “Jeepers, they' re keepers”, The Columbus Dispatch, 17 August 2000, p. E8.

Agan, Sheila. “Abstract contemporary art comes to life with "Extraordinary Realities" exhibition”, The Ohio State Lantern, 10 August 2000, p. 8.

Lehnart, Ilona. “Berliner Seiten”, Frankfurter Allgemeine Zeitung, July 4, 2000.

Rush, Michael. “New Media Rampant”, Art In America, July 2000.

“Whitney Biennial”, Catalogue, Whitney Museum of American Art, New York, 2000.
”Greater New York: New Art In New York Now”, Catalogue, PS1/MoMA, New York.
Hazoume, Romuald, Pfeiffer, Paul. Brochure, Durham, NC: Duke Univ. Museum of Art.
Hunt, David. “Man Trap”, Frieze, Issue 53, June/July/Aug 2000.

Gilbert, Andrea. E Kathemerine, 25 June 2000, p. 50.
Siegel, Katy. “Openings: Paul Pfeiffer”, Artforum, Summer 2000.

“Maybe Race Has”, FEED Magazine, 2000.

“Kunst”, Berliner Morgenpost, May 30, 2000.

Feuilleton, Berliner Zeitung,  May 26, 2000.

Feuilleton, Suddeutsche Zeitung, May 25, 2000.
Quedenbaum, Sebastian. “Metrolpolitan  Ausg”, Die Welt, Berlin, May 24, 2000.

Berwick, Carly. “Nothing To Do With It”, April 24, 2000.
Plagens, Peter. “Art in the Fast Lane”, Newsweek, April 10, 2000.
Schjeldahl, Peter. “Pragmatic Hedonism”, The New Yorker, April 3, 2000.
Solomon, D. “A Roll Call of Fresh Names and Faces”, The New York Times, April 16, 2000.

Vogel, Carol. “Inside Art: Whitney Prize”, The New York Times, April 14, 2000.

Halle, Howard. “2000 and none”, TimeOut New York, Issue 237, April 6-13, 2000.

Saltz, Jerry. “My Sixth Sense”, Village Voice, April 4, 2000.

Kimmelman, Michael. “A New Whitney Team Makes Its Biennial Pitch”, The New York Times, March 24, 2000.

Gopnik, Blake. “Window Shopping At The Whitney”, The Globe Online, March 22, 2000.

Halle, Howard. “State of the Art”, TimeOut New York, Issue 234 March 16-23, 2000.

Saltz, Jerry. “Greater Expectations”, Village Voice, March 14, 2000.

Cotter, Holland. “Greater New York”, Review, The New York Times, March 1, 2000.
Siegel, Katy. “The Max Factor: Whitney Biennial 2000”, Artforum, March 2000.

 

1999

Adelman, Shonagh. “Paul Pfeiffer The Project, NY”, Review, Frieze, issue 45, March/April 1999.

Rush, Michael. “Hocus Focus”, Review, Review, Feb 1 1999.
Turner, Grady. “Abstracted Flesh”, Flash Art, , Vol. 32, No. 204, Jan-Feb 1999.
Chattopadhyay, C. “At Home And Abroad”, Art AsiaPacific, C. No. 22.
Johnson, P. Review, Houston Chronicle, January 12, 1999.

 

1998

Sirmans, Franklin. “Get a little Closer”, ARTNET Magazine, December 17, 1998.

Bliss, Kimberly. “Crazy”, Dutch Magazine, issue 18, 1998.

Turner, Grady. “Paul Pfeiffer and Nader”, The Review, November 1, 1998.

Cotter, Holland. “Paul Pfeiffer and Nader”, Review, The New York Times, November 13, 1998.

Baker, Kenneth. “Modern Art Redefined”, San Francisco Chronicle, July 11, 1998.

“At Home And Abroad: 20 Contemporary Filipino Artists”, Catalog, SF Asian Art Museum .

 

1997

“Memories of Overdevelopment”, Catalogue, Plug In Gallery, Winnipeg, Canada.

 

1995

“In A Different Light”, Catalogue, UC Museum/ City Lights, Berkeley, CA.

“Art In General Annual Catalogue”, Art In General, New York.

“Pervert”, Catalogue, UC Gallery, Irvine, CA.

 

 

1994

“Extreme Unction”, Catalogue, Panchayat, London.

Hirsh, David. “Christian Iconography”, New York Native, April 4, 1994.

“Scene & Heard” (reproduction), Village Voice,  March 22, 1994.

 

1993

“1991 In Review: Alternative Spaces”, Art In America,  (reproduction), August 1993.

Consul, Wilma. “The Agony and the Apostasy”, Filipinas Magazine, June 1993.

Ty-Tomkins, Nikki. “Philippines International”, Honolulu Weekly, October 13, 1993.

 

1992

Asian American Arts Dialogue, (cover reproduction),  Vol. 11, no. 1, January/February 1992.

“Altars, Divinations and Icons”, Catalogue, Painted Bride Gallery, Philadelphia, PA.

“(en)Gendered Visions: Race, Gender and Sexuality in Asian American Art”, Catalogue, Guadalupe Cultural Center, San Antonio, TX.

Nelson, Nels. “Artists Find Their Own Religions”, (review with reproduction), The Philadelphia Daily News, September 24, 1992.

 

1989

Bernstein, Neil.,  Portrait of the Artists, (review with reproduction), San Francisco Bay Guardian, October 11, 1989.